Saturday, November 26, 2016

Kristen Stewart's Short History of Film Career Life

At the age of 26, Kristen Stewart built a film career that many young actresses would want. Perhaps best known as Bella Swan, the heroine of the vampire franchise "Twilight" Stewart has achieved commercial success while gaining critical respect. Last summer, he could find on the cover of the Observation Film, the bible of the serious viewers.

His latest film, "Billy Lynn Long Time Walk" opens Friday. Based on the novel by Ben Fountain and directed by Ang Lee ("Life of Pi") is the story of a heroic soldier, his experience in Iraq and doubts about being patriotic displayed in a football game. Stewart describes Lynn's sister, Kathryn, who opposes her plans to 
 return to war.
In a recent interview, Stewart says when approaching the perspective of a soldier, Lee twice winner of an Oscar, has created a film that outsources a very inner feeling. Although Kathryn is a supportive role, he said, considering. "The game is really economical," Stewart said. But it's really shocking and certainly provides that emotional space.

"Long Half Time Walk Billy Lynn" she allowed Lee to experiment with technology. Among the options available is the projection of the film at 120 frames per second instead of the standard 24, creating an effect that viewers have called hyperrealist. But in most theaters, including those of St. Louis, the film will be presented in the general format.

Stewart says technology poses unique challenges.

"I'm out of my element," he said. "Usually, I'm very familiar with the process and very curious, in that case, it was like swimming in an Olympic pool, but it was great."

Lee adopted a similar experimental approach Hulk-2003, in which he tried to imitate the design imperatives of a comic. Native of Los Angeles, Stewart has acted since the age of 9 years. One of her first roles on the
big screen was the daughter of Jodie Foster in "Panic Room" by David Fincher. Since then, he has become one of the highest paid actresses in Hollywood.

Critics were impressed by support work girl Stewart Julianne Moore in "Alice Still" and as a personal assistant Juliette Binoche in "Sils Maria". "I know Julianne since I was 12," he said. "I was working with her husband in a film (" Catch That Kid "), and she always felt like a family for me I play her daughter, had an ease to her. We approach our work so quite similar, and I think it is really impressive deeply inspiring woman ".

Stewart Binoche describes a French actress perhaps best known to the American public for his Oscar winning performance in "The Patient Inglés as so powerful and so intelligent." Both Moore and Binoche, who are actrizes she looks and they do "want to live up to". As one of the most sought after actresses in the film industry, Stewart has her selection of projects. Looking in a script, he says, there is something moving.

"There's a very special emotion going on inside when you read something you feel you want to join," he said. The scenario of "Long Halftime Walk Billy Lynn", written by Jean-Christophe Castelli, "just pronounced something truly human and something he truly believed." Stewart is also likely to sign an indie low-profile project as a blockbuster.

"For Ang, the only way to tell this story is great," he said. "And I do aversion to great movies if they are motivated by something important and valuable - not the impression that they were made for purely cash entertainment reasons that I'm not interested in.

An Introduction to Stewart Films

“Panic Room” (2002) • Stewart co-acts as the 11-year-old daughter of Jodie Foster in this tense drama of director David Fincher ("Gone Girl") on a Brownstone in New York invaded by a threesome of thieves. The film has won comparisons with Alfred Hitchcock's work and praise for his portrayal of a feminist heroine.

"Twilight" (2008) • In the adaptation of Catherine Hardwicke a young adult novel, Stewart marks her role as a teenager Bella Swan, whose vampire (Robert Pattinson) attraction leads to intriguing complications. The
film reported just under $ 400 million - and turned out to be the start of a blockbuster franchise. Stewart works in a degraded amusement park and provides romantic interest by Jesse Eisenberg in this late comedy film critic Roger Ebert hailed as "more real and touching" than one might expect. Stewart's performance, he said, he said "a list actress to do important things."

"The Runaways" (2010) • Rocker Joan Jett and his biopic group receive treatment. Stewart with Jett and Dakota Fanning as her colleague Cherie Currie. The New York Times noted that "gravity and trust with this address their role goes a long way toward establishing a sense of authenticity."

"The clouds of Sils Maria" (2014) • Stewart has her own icon of the French screen Juliette Binoche in this drama screenwriter-director Olivier Assayas ("Heures d'été") on an aging film star and her assistant. For her performance support, Stewart became the first American actress to win a Cesar - the French equivalent of the Oscar.

"Alice Still" (2014) • in this drama about a college teacher (Julianne Moore) who faces the early onset of Alzheimer's, Stewart becomes a magnificently calibrated performance as the rebellious but faithful girl. Moore eventually won an Oscar, but Stewart has so worthy awards - and critics who had missed his stunning talent noted.

"Café Society" (2016) • Hollywood in the 1930s is the backdrop for this bitter-sweet comedy in which Stewart Eisenberg reteams with under the direction of Woody Allen. The Post-Dispatch praised the film for an "acridity that persists long after the screen becomes black" and Stewart's performance for his "haunted light."

"Some Women" (2016) • In this multi-part film directed by Kelly Reichardt ( "Wendy and Lucy") and based on stories by Maile Meloy, Stewart brings subtlety and nuance to the role of a night instructor who unintentionally becomes " Object the affections of a solitary ranch hand (Lily Gladstone).

"Personal Shopper" (2017) • In this thriller that makes its debut in the United States next year, Stewart plays an American in Paris who serves as assistant designer fashion model. The film, which the Guardian praised for his "pure Hitchcockian touch of brightness" Stewart meets with the director of "Clouds of Sils Maria," Assayas.

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